Issey
Miyake is also a textile genius and the creative mind behind “Pleats Please,” which is a light, permanently
pleated fabric and A-POC, which stands for A Piece of Cloth and
is clothing created from a single, piece of cloth. It is this
very concept that drives the works of Issey Miyake. This is the
motivating factor for a couture collection that explores single
fabric use with the movement of clothing in relation to the human
body. His collections are innovative and technology-based combined
with use of nature and emotional inspiration to create a fresh,
exciting look. A look that can be defined as both contemporary
and futuristic—a look based on a global audience.
Born in Hiroshima, Japan, the works of Issey
Miyake have had their biggest impact on the Asian culture.
Further, his works
have helped him to become one of the first Asian designers
to become a global phenomenon. His is part of “big three” Japanese
designers, the others being Yohji Yamamoto and Comme des Garcons'
Rei Kawakubo. Many of his pieces have been deemed more suitable
as pieces of “art” over actual ready to wear garments.
However, that has not hindered the popularity of his highly
successful couture collections. They are often a combination
of fabrics
that integrate color, Eastern-inspired fabrics and subtle color.
Miyake studied fashion at Tama Art University
in Tokyo and after apprenticeships with Laroche and Givenchy,
and a stint
working
with Geoffrey Beene, he opened the Miyake Design Studio. After
his first showing in New York, Miyake’s reputation was
established and his career took off from there. Known for a fashion
mix of East and West, Issey Miyake is perhaps best known for
his work on the infamous “Twelve Black Girls” show,
which featured 12 different models in clothing tightly bound
to their bodies. Thus, Issey Miyake has proven himself to be
a designer that is not afraid to push the boundaries of convention
within his collections. Finally, he has taken a mix of cultures
and poured that into couture collections that stand the test
of time.